{Lolita Color Special} 30
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Fusion Vanilla Pink Wavy Lolita WigIris is a beautiful 30\" long Fusion Vanilla Pink wavy lolita wig perfect for creating a wide variety of styles. While this wig is suited for lolita, it's also great for things such as cosplay, costuming, or even casual d
Iris is a beautiful 30\" long Fusion Vanilla Pink wavy lolita wig perfect for creating a wide variety of styles. While this wig is suited for lolita, it's also great for things such as cosplay, costuming, or even casual daily wear. Straight bangs reaching eyebrow make wearing this wig hassle free, while simultaneously offering enough length for trimming and styling. This Fusion Vanilla Pink wavy lolita wig comes pre-styled with loose, flowing curls and our tangle-resistant fiber makes maintenance a breeze.
If the loose curls of this Fusion Vanilla Pink wavy lolita wig aren't for you, our fiber is heat-resistant and can be styled with heated tools such as flat irons, curling irons, and blow dryers. This wig is capable of withstanding temperatures up to 410 degrees Fahrenheit (though we recommend keeping it around 350F as long term exposure to heat can change the texture of our fiber), which makes many different styles achievable. With just a bit of heat and product, this Fusion Vanilla Pink wavy lolita wig can easily be straightened or given tighter, bouncier curls. An adjustable, breathable 23\" cap allows this wig to be worn comfortably by a wide variety of head shapes and sizes.
Here are a few links to get you started on styling and caring for your Iris Fusion Vanilla Pink wavy lolita wig! Our tutorials are easy to understand and follow. If you have any questions that aren't covered feel free to contact customer support where our knowledgeable staff will be happy to help!
Our Iris style is versatile and capable of fitting any occasion. It's perfect for lolita and cosplaying characters with hime styled hair, while also offering a cute and unique style for daily wear. This Fusion Vanilla Pink wavy lolita wig is fun and easy to take care of.
Peach Blonde Wavy lolita wigIris is a beautiful 30\" long Peach Blonde wavy lolita wig perfect for creating a wide variety of styles. While this wig is suited for lolita, it's also great for things such as cosplay, costuming, or even casual daily wear. Str
Iris is a beautiful 30\" long Peach Blonde wavy lolita wig perfect for creating a wide variety of styles. While this wig is suited for lolita, it's also great for things such as cosplay, costuming, or even casual daily wear. Straight bangs reaching eyebrow make wearing this wig hassle free, while simultaneously offering enough length for trimming and styling. This Peach Blonde wavy lolita wig comes pre-styled with loose, flowing curls and our tangle-resistant fiber makes maintenance a breeze.
If the loose curls of this Peach Blonde wavy lolita wig aren't for you, our fiber is heat-resistant and can be styled with heated tools such as flat irons, curling irons, and blow dryers. This wig is capable of withstanding temperatures up to 410 degrees Fahrenheit (though we recommend keeping it around 350F as long term exposure to heat can change the texture of our fiber), which makes many different styles achievable. With just a bit of heat and product, this Peach Blonde wavy lolita wig can easily be straightened or given tighter, bouncier curls. An adjustable, breathable 23\" cap allows this wig to be worn comfortably by a wide variety of head shapes and sizes.
Here are a few links to get you started on styling and caring for your Iris Peach Blonde wavy lolita wig! Our tutorials are easy to understand and follow. If you have any questions that aren't covered feel free to contact customer support where our knowledgeable staff will be happy to help!
Our Iris style is versatile and capable of fitting any occasion. It's perfect for lolita and cosplaying characters with hime styled hair, while also offering a cute and unique style for daily wear. This Peach Blonde wavy lolita wig is fun and easy to take care of.
Jenkins notes that Humbert even seems a bit more dignified and restrained than other residents of Ramsdale, particularly Lolita's aggressive mother, in a way that invites the audience to sympathize with Humbert. Humbert is portrayed as someone urbane and sophisticated trapped in a provincial small town populated by slightly lecherous people, a refugee from Old World Europe in an especially crass part of the New World. For example, Lolita's piano teacher comes across in the film as aggressive and predatory compared to which Humbert seems fairly restrained.[24] The film character of John Farlow talks suggestively of \"swapping partners\" at a dance in a way that repels Humbert. Jenkins believes that in the film it is Quilty, not Humbert, who acts as the embodiment of evil.[25] The expansion of Quilty's character and the way Quilty torments Humbert also invites the audience to sympathize with Humbert.
In the novel, Miss Pratt, the school principal at Beardsley, discusses with Humbert Dolores's behavioral issues and among other things persuades Humbert to allow her to participate in the dramatics group, especially one upcoming play. In the film, this role is replaced by Quilty disguised as a school psychologist named \"Dr. Zempf\". This disguise does not appear in the novel at all. In both versions, a claim is made that Lolita appears to be \"sexually repressed\", as she mysteriously has no interest in boys. Both Dr. Zempf and Miss Pratt express the opinion that this aspect of her youth should be developed and stimulated by dating and participating in the school's social activities. While Pratt mostly wants Humbert to let Dolores generally into the dramatic group, Quilty (as Zempf) is specifically focused on the high school play (written by Quilty and produced with some supervision from him) which Lolita has secretly rehearsed for (in both the film and novel). In the novel Miss Pratt naïvely believes this talk about Dolores' \"sexual repression\", while Quilty in his disguise knows the truth. Although Peter Sellers is playing only one character in this film, Quilty's disguise as Dr. Zempf allows him to employ a mock German accent that is quintessentially in the style of Sellers's acting.[35]
A Key Item and best seller! The Lolita triangle bikini top has removable cups and its full of handcradted details. We believe in the tradition of hand embroidery to be recovered since it is one of the oldest traditions in Colombian history, female power. Each piece is transformed thanks to them. This piece was embroidered in an hour by Mery Correa, one of our #ABhearts. A localized print. This drop creates a vibrant and maximalist visual proposal using elements, geometrics, patterns, and color blocks. This piece is perfect for all bodies made with 96% Recycled Polyester and 4% Lycra.
Beginning with the dawn of civilization and chronicling the rise from ape to man, the film evolves to the story of astronauts Keir Dullea and Gary Lockwood, who find themselves at the mercy of supercomputer HAL 9000. Powerful imagery, ground-breaking special effects, the bold classical music score and repeated juxtapositions of man and machinery have made 2001 one of the most significant and relevant films of the 20th century. Nominated for four Academy Awards. DIR/SCR/PROD Stanley Kubrick; SCR Arthur C. Clarke, from his short story. UK/US, 1967, color, 141 min. RATED GFri, Jun 29, 11:30; Sat, Jun 30, 12 noon, 11:30; Sun, Jul 1, 1:00, Wed, Jul 4, 2:00 Back by popular demand! Encore screenings: Sun, Sep 2, 1:00; Mon, Sep 3, 1:30
Also part of the 70mm Spectacular series. KILLER'S KISSInnovative and dynamic visuals lend great atmosphere to this B-picture gangster drama from the young Stanley Kubrick, whose tenure as a staff photographer at Look magazine appears to have been great training for shooting this independent feature, a film Kubrick wrote, directed, produced, photographed and edited. The 1950s shooting locations document various vanished worlds of New York City: the gritty tenements and alleyways of Greenwich Village and the Lower East Side; the gorgeous old Penn Station; the old-fashioned, pre-faded glamour of Times Square; and a still-industrial Dumbo, Brooklyn. DIR/SCR/PROD Stanley Kubrick; PROD Morris Bousel. US, 1955, color, 67 min. NOT RATED Sun, Jul 8, 6:00; Mon, Jul 9, 8:45
Ex-con hard case Sterling Hayden assembles a crew of colorful lowlifes to pull off a daring daytime racetrack heist. Poor judgment, bad luck and a faithless wife conspire to undo their big score, and as things fall apart, this time-fractured puzzle of a story comes together. The screenplay was co-written by Kubrick and pulp great Jim Thompson; the sharp cinematography is by Lucien Ballard. DIR/SCR Stanley Kubrick; SCR Jim Thompson, from the novel \"Clean Break\" by Lionel White; PROD James B. Harris. US, 1956, b&w, 85 min. NOT RATED Sun, Jul 15, 7:45; Mon, Jul 16, 3:15; Tue, Jul 17, 9:00; Thu, Jul 19, 9:15
Nominated for six Academy Awards, winning Best Cinematography and Best Supporting Actor for Peter Ustinov. This epic drama follows the legend of Spartacus (Kirk Douglas), who leads his fellow slaves in an uprising against the corrupt Roman empire. Laurence Olivier, Charles Laughton, Tony Curtis and Jean Simmons round out the all-star cast. DIR Stanley Kubrick; SCR Dalton Trumbo; PROD Edward Lewis. US, 1960, color, 198 min. NOT RATEDSat, Jul 28, 12:30; Sun, Jul 29, 1:00
Fitting for a film that is ultimately about free will and individuality, this is Kubrick's most idiosyncratic work, an exceedingly artful evocation of a dystopian future and a hugely influential cult classic that remains challenging, right-of-passage viewing for adventurous film lovers. Malcolm McDowell, in his signature role, is creepily charismatic as Alex, the Beethoven-loving ringleader of \"the Droogs,\" a band of young thugs on the prowl for \"a little of the old ultra-violence.\" When Alex is jailed for murder and then subjected to an extreme behavior modification treatment that results in law-abiding conformity, he goes from ruthless predator to hapless victim; his case now taken up by the press, the erstwhile public enemy becomes a cause célèbre. DIR/SCR/PROD Stanley Kubrick, from the novel by Anthony Burgess. UK, 1971, color, 136 min. RATED RThu, Aug 16, 9:20; Fri, Aug 17, 9:30; Sat, Aug 18, 11:30Two for $20! See DR. STRANGELOVE and A CLOCKWORK ORANGE together on Aug. 16 and pay just $20 for both tickets. (Discount applies to box office sales only; not available online. Tickets must be purchased together in a single transaction.) 153554b96e
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