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That's the secret of both Joerg's and Vienna's success. Both libraries use embedded samples of every conceivable interval in the violin's range, and arrange these in a clever way that maintains the integrity of each note's soundex. The result, once you get one of the libraries up and running, is unearthly, shimmering, kaleidoscopic phrases that the natural phrasing of the violin captures perfectly. The trick is that they never sound mechanical, even when the notes are played very slowly.
Although the phrases on this library are arranged into individual sheets, the interface is much like DSLS I and II. You can access only the phrases you're interested in at the moment by simple dragging and dropping, within the sections of your music, and you can edit, rearrange, transpose etc. Not a bad library when I consider the number and quality of the samples. I used it a lot last year and am using it again this year.
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