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The main contribution of this paper is the
presentation of a new approach to the understanding of a
musician's interaction with a musical composition process. We
will firstly describe a composer's journal, and describe a
generalised workspace model for understanding a composer's
process. This is based on the capture of the material
processes that are involved in the work. We will then
describe a prototype system that we have developed to support
the composer with the design and implementation of a
musician-friendly process for the composition of a new work.
In particular, we will describe the design, implementation,
testing and evaluation of the extended version model. Finally,
we will describe the lessons learned from this experience, and
the possible application of our findings to other processes
which are not musical in nature.
We will present an analysis of a composers journal, and
describe a new approach to the understanding of a musicians
interaction with a musical composition process. The example
used for illustration will be the composition of a new
symphony by George Benjamin. The first part of the paper
will describe the methods used by the composer, and the
processes involved in the composition of this work. We will
then explain our understanding of the processes involved
through capturing observations of the composer's journal and
evaluating its relevance.
In this paper, we present an analysis of a composers'
journal and a description of a new approach to the
understanding of a musician's interaction with a musical
composition process. The paper also describes a successful
experiment using the technology we have developed to support
the composer with the design and implementation of a
musician-friendly process for the composition of a new work.
We describe the process, including the composer's musical
methods, and the design, implementation, testing and
evaluation of the extended version model. Finally, we
describe the lessons learned from this experience, and the
possible application of our findings to other processes
which are not musical in nature.
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